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Page 29
CE-Series
Amps with an Attitude!
Page 28
CE-Series
Amps with an Attitude!
Reference Manual
Reference Manual
On the other hand, an unbalanced circuit usually holds one
leg at ground potential, while the second leg is “hot.” Unbal-
anced line is less expensive, but is much more susceptible to
noise, and is not usually used in professional applications. For
the cleanest signal, without unwanted hum and buzz, bal-
anced line is always recommended. It is especially helpful if
you have a long cable run (over 10 feet (3 m)), since noise is
easily introduced into long, unbalanced lines.
+
3
1
2
GND
FROM
SOURCE
INPUT
BALANCED
+
SHIELD
FROM
SOURCE
INPUT
UNBALANCED
+
SHIELD
+
3
1
2
SHIELD
4 Crown Pro Information Guides
Balancing the Line
A balanced audio circuit typically will have both positive (+)
and negative (–) legs of the circuit isolated from the ground
circuit. These balanced legs exhibit identical impedance char-
acteristics with respect to ground, and may also carry the au-
dio signal at the same level, but with opposite polarities. This
results in a line that offers excellent rejection of unwanted
noise.
Fig. 4.1
Balanced &
Unbalanced
Input Wiring
Fig. 4.2
Polarity
Conversions
Stereo mode provides identical power output to each of the
two amplifier output channels. Bridge-Mono mode combines
the two amplifier output channels into a single mono channel
with twice the voltage of a single stereo channel. This means
the output will be much more powerful! It does this by bridging
the outputs, and it requires special output wiring. Do NOT se-
lect Bridge-Mono mode without first making sure the am-
plifier has been wired in a Bridge-Mono configuration. For
more information on wiring for Bridge-Mono mode, see the In-
stallation section of this manual
,
or consult your system in-
staller.
When Bridge-Mono mode is selected, only the Channel 1 Level
control and the Channel 1 Signal LED will work. If the Channel
2 input is wired, the Channel 2 Level control should be turned
to “
(counter/anti-clockwise) to prevent distortion.
Fault Jack: This RJ-11 jack (which looks like a phone jack)
is located on the back panel. By attaching a signalling device
to the Fault jack, you can monitor the amplifier’s Fault status
from a remote location. See the Advanced Features and Op-
tions section of this manual
for more information on fault moni-
toring and suggestions for signalling device circuitry.
1/4 inch XLR
(6.35 mm)
Tip = + =Pin 2
Ring = =Pin 3
Sleeve = = Pin 1
Refer to Figure 4.2 for proper pin assignments for both 6.35-
mm and 3-pin XLR balanced audio wiring.
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